Netflix has just released *In the Court of the Crimson King: King Crimson at 50*, a compelling 86‑minute documentary directed by Toby Amies that chronicles the legendary prog‑rock band’s 50th‑anniversary tour from 2018 to 2020 .
Rather than a conventional biography, the film offers a raw, cinéma‑vérité glimpse into the chaotic, fiercely disciplined world of Robert Fripp and his rotating cast of virtuoso musicians. It begins with one man’s mission—to “keep the band together over 50 years”—and morphs into a broader meditation on time, mortality, and the transcendent power of art.
Standout moments include candid interactions with Bill Rieflin, poignantly confronting his cancer diagnosis and eventual death in 2020, which gives the film its emotional cor. Additional archival footage and interviews feature past members—Ian McDonald, Michael Giles, Adrian Belew, Bill Bruford, Trey Gunn and others—though some fans note that certain voices are underrepresented .
Critics have generally embraced its unconventional format. Rotten Tomatoes reports a 95 % critics score, with reviewers praising its blend of humor and melancholy. *The Guardian* even likened it to *The Office* with drum kits and grizzled roadies—“authoritative yet entertaining”. *The Prog Report* called it “funny and thought‑provoking,” while *Variety* hailed it as “as good as rock documentaries get”.
Technically, the film is sleek yet gritty, allowing moments to unfold naturally—slightly blurry camerawork and off‑camera questions contribute to its intimacy. Humor emerges organically through Fripp’s dry wit, staff dynamics, and fan devotion—even a Norwegian nun is featured as an unexpected, moving presence.
Ultimately, *In the Court of the Crimson King* transcends King Crimson lore. It’s less a discography lesson and more a human story: of perseverance, creative obsession, camaraderie and loss. It’s essential viewing for fans and a uniquely immersive experience for newcomers curious about what it means to dedicate your life to art.
